THREE:All right, Larry, let that go. But why did Jeff bring us here?
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THREE:"Louis," the Countess cried, "ah, this is good of you! We will have a little chat in the foyer. Hetty, will you keep guard till I return."
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THREE:Punctuality costs nothing, and buys a great deal; a learner who reaches the shop a quarter of an hour before starting time, and spends that time in looking about, manifests thereby an interest in the work, and avails himself of an important privilege, one of the most effectual in gaining shop knowledge. Ten minutes spent in walking about, noting the changes wrought in the work from day to day, furnishes constant material for thought, and acquaints a learner with many things which would otherwise escape attention. It requires, however, no little care and discrimination to avoid a kind of resentment which workmen feel in having their work examined, especially if they have met with an accident or made a mistake, and when such inspection is thought to be [168] prompted by curiosity only. The better plan in such cases is to ask permission to examine work in such a way that no one will hear the request except the person addressed; such an application generally will secure both consent and explanation.That same afternoon also I made the acquaintance of the editor of a local weekly, De Bilsenaar, which was not allowed to appear during the occupation of the place by the Germans. He and others had a great many things to tell me.
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THREE:During the two centuries that ended with the close of the Peloponnesian war, a single race, weak numerically, and weakened still further by political disunion, simultaneously developed all the highest human faculties to an extent possibly rivalled but certainly not surpassed by the collective efforts of that vastly greater population which now wields the accumulated resources of modern Europe. This race, while maintaining a precarious foothold on the shores of the Mediterranean by repeated prodigies of courage and genius, contributed a new element to civilisation which has been the mainspring of all subsequent progress, but which, as it expanded into wider circles and encountered an increasing resistance from without, unavoidably lost some of the enormous elasticity that characterised its earliest and most concentrated reaction. It was the just boast of the Greek that to Asiatic refinement and Thracian valour he joined a disinterested thirst for knowledge unshared by his neighbours on either side.5 And if a contemporary of Pericles could have foreseen all that would be thought, and said, and done during2 the next twenty-three centuries of this worlds existence, at no period during that long lapse of ages, not even among the kindred Italian race, could he have found a competitor to contest with Hellas the olive crown of a nobler Olympia, the guerdon due to a unique combination of supreme excellence in every variety of intellectual exercise, in strategy, diplomacy, statesmanship; in mathematical science, architecture, plastic art, and poetry; in the severe fidelity of the historian whose paramount object is to relate facts as they have occurred, and the dexterous windings of the advocate whose interest leads him to evade or to disguise them; in the far-reaching meditations of the lonely thinker grappling with the enigmas of his own soul, and the fervid eloquence by which a multitude on whose decision hang great issues is inspired, directed, or controlled. He would not, it is true, have found any single Greek to pit against the athletes of the Renaissance; there were none who displayed that universal genius so characteristic of the greatest Tuscan artists such as Lionardo and Michael Angelo; nor, to take a much narrower range, did a single Greek writer whose compositions have come down to us excel, or even attempt to excel, in poetry and prose alike. But our imaginary prophet might have observed that such versatility better befitted a sophist like Hippias or an adventurer like Critias than an earnest master of the Pheidian type. He might have quoted Pindars sarcasm about highly educated persons who have an infinity of tastes and bring none of them to perfection;6 holding, as Plato did in the next generation, that one man can only do one thing well, he might have added that the heroes of modern art would have done much nobler work had they concentrated their powers on a single task instead of attempting half a dozen and leaving most of them incomplete.We have seen how Plotinus establishes the spiritualistic basis of his philosophy. We have now to see how he works out from it in all directions, developing the results of his previous enquiries into a complete metaphysical system. It will have been observed that the whole method of reasoning by302 which materialism was overthrown, rested on the antithesis between the unity of consciousness and the divisibility of corporeal substance. Very much the same method was afterwards employed by Cartesianism to demonstrate the same conclusion. But with Descartes and his followers, the opposition between soul and body was absolute, the former being defined as pure thought, the latter as pure extension. Hence the extreme difficulty which they experienced in accounting for the evident connexion between the two. The spiritualism of Plotinus did not involve any such impassable chasm between consciousness and its object. According to him, although the soul is contained in or depends on an absolutely self-identical unity, she is not herself that unity, but in some degree shares the characters of divisibility and extension.447 If we conceive all existence as bounded at either extremity by two principles, the one extended and the other inextended, then soul will still stand midway between them; not divided in herself, but divided in respect to the bodies which she animates. Plotinus holds that such an assumption is necessitated by the facts of sensation. A feeling of pain, for example, is located in a particular point of the body, and is, at the same time, apprehended as my feeling, not as some one elses. A similar synthesis obtains through the whole of Nature. The visible universe consists of many heterogeneous parts, held together by a single animating principle. And we can trace the same qualities and figures through a multitude of concrete individuals, their essential unity remaining unbroken, notwithstanding the dispersion of the objects in which they inhere.
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